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複數 人
Plurality in Body
黃 盟欽 個展
HUANG Meng-Chin Solo Exhibition
展期：2024/02/17~03/03
開幕茶會： 2024/02/17(六) 15：00
展出地點：大象藝術空間館 Da Xiang Art Space (台中市北區博館路15號)
活動官網：https://daxiang.com.tw/exhib/current
《複數 人/ Plurality in Body》展覽聚焦於科技影像所傳遞的視覺符碼，以數位技術詮釋多重性的身體複本。作品核心概念強調多樣化的身體協作，融合了AI人工智慧與生成藝術，結合數位媒介與科技創造，呈現「人機共創」的創作模式。同時，展覽思索科技如何介入身體意識，使其成為去疆域化的無肉身之體，以及在虛擬世界中的虛擬性狀態。
透過作品深入挖掘科技變動對身體感知的轉變，將其轉化為複數性的界域向度，企圖引領觀眾超越肉身的潛能意識，探索在元宇宙中身體所幻化成的多重樣貌。展覽的作品系列以多元化的媒材呈現，包括聲音、錄像裝置、VR互動裝置等，共同構築沉浸式的虛擬時空維度。透過深入探索身體、科技和虛擬世界之間的關聯，反思當代科技對身體感知的影響，以及人機共創所開啟的可能性。
展覽呈現對身體、科技與複數性的觀察視角，進行一場超越傳統感知框架的經驗之旅，透過構思想像漫遊，揭示出科技與身體的相互共構關係。
"Plurality in Body / 複數 人" focuses on the visual codes conveyed by technological imagery, interpreting the multiplicity of bodily replicas through digital technology. The core concept of the artworks emphasizes diverse bodily collaboration, incorporating AI and generative art. The exhibition adopts a creative mode termed "human-machine collaboration," combining digital media and technology. Simultaneously, the exhibition contemplates how technology intervenes in bodily consciousness, transforming it into a de-territorialized, disembodied entity and exploring virtual states within the virtual world.
Through the presentation of artworks, the exhibition delves into the transformative effects of technological changes on bodily perception, transforming them into dimensions of plurality. The aim is to guide the audience beyond the potential awareness of the physical body, exploring the manifold appearances that bodies assume in the metaverse. The series of artworks presented in the exhibition utilize diverse media, including sound, video installations, VR interactive installations, collectively constructing an immersive virtual spatiotemporal dimension. By deeply exploring the interconnections between body, technology, and the virtual world, the exhibition reflects on the impact of contemporary technology on bodily perception and the possibilities opened up by human-machine collaboration.
The exhibition presents an observational perspective on body, technology, and plurality, offering an experiential journey beyond traditional frameworks of perception. Through the conceptual exploration of imaginative roaming, the exhibition reveals the mutually constitutive relationship between technology and the body.